Resting time! 8/28-9/1
Childhood under rosy stars, restaurant memories, diet confessions, food chatterbox. This is a good place for restaurant reviews! Just keep your mind awake, let the eye ride before the tide.
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Sunday, August 28, 2016
Saturday, August 27, 2016
Golf Review, 1986 Masters Tournament: Final Round
Golf Review, 1986 Masters Tournament: Final Round
Mr. Nicklaus’ creamy yellow shirt hangs in Georgian air with
the body while it’s fifteen degrees under 100°F, the golf balls finding their
ways toward flagged holes before and after swinging professionals start
treading around leaf greens. Mr. Norman,
second up, has the curious visage of a welcomed ghost as he looms above hilly
bridges when taking eyelash glances.
Nicklaus is nearing fifty age after a couple of spare decades gaining
the Masters on occasional field celebrations, but Mr. Langer wins the Masters ’85
and Mr. Crenshaw almost fills the top at 86 years after year 1900. No, I’m not saying Crenshaw is an old geezer at
this point; in fact, he’s fairly young at a moment when 86 years have passed
since 1900, so Nicklaus isn’t the only golden bear on the planet. We find Mr. Nicklaus making one glove a very
stretchy article of his field uniform as this golden bear creeps in from his
standing in sports evolution to rub the grass wielding a formal golf ball, at
the epic moments having vague awareness of sticky flags. So, we have Greg Norman the Australian Angel;
and Pavin, Tway, a Japanese smile, plus I sing about Ken Green! There’s way many greens on the golf world in
Augusta: jackets, trees, grand césped. Jack Nick strikes some poses in gentle
ways as he makes one over a gord of water, acting as his own endeavor in the
face of Georgia’s wide natures even if a few threads of hair are blown. The Masters House which Jack smiles in is a
place where a 3-Time Masters Victor washes his eyes over in forced happiness
and jaunts over a comfortable microphone seat in order to display a hard-worked
passion for golf enjoyment. In fact, one
of the reasons or hearts that I write so much for myself and the internet
audience is because of Golf Channel: Golf Channel’s constant influence on my
confidence simply because they work for persistent confidence. It’s interesting how they show a photo of “the
Golden Bear” as he frowns then earlier, since later on Nicky wins and becomes
more of a middle-aged celebrity. Of
course, Pavin gets a nasty surprise near that gord of water; his swing doesn’t
look or sound right; so, it’s as if Mr. Pavin acts on his own accord during his
show of wiry physics. Victory convos are
hints of marvelous times until there’s rainbow’s end; Mr. Nick has levels of
comprehension which somewhat show on his face whether he’s grim and entertained
or happy and wild, so a country’s clothing may only show features with
limits. A game of golf for an athlete
for it is partially about rebasing his or her focus on physics, a fact which
can’t downplay the importance of Golf Channel’s chats and vibes; to add to Nick’s
comment about “composing the body,” I believe we struggle with our own literacy
of sports regarding everything. A mind
can fail against lots of storms throughout generations of refined freedom. Golf news reporters continue to make educated
guesses about mysteries and pretty much ignore so much information: as one of
my educated guesses, I ponder over their wonderful attitudes when plenty of
golf conundrums must exist. The
nourishing music of the ’86 Masters is quite often leveled with the shredding
presentations of warm flowers, although my female parent can’t smell anything
anymore, and I mourn over the loss of older versions of technology like the now
vintage cameras or those few Nick’s irons.
I’m not sure if golf has gotten more popular because of videogames; it’s
not like Nintendo made Mr. Nicklaus more famous, and so many sports gamers just
want to kill something. A novice television
show on ABC Family in either the 90’s or the 00’s just shows a type of “disc
jockey golf” played by stupid reality actors in two golf fashions: gullibility,
nonsense. I’m biased on these subjects
because an individual’s fun can also be her or his offenses; besides maturity
levels aren’t precisely divided.
Nicklaus implies in his after-game interview before getting his coat
dressed by Langer that nerves are like the brushes of psychological minds which
twist and turn but must be assorted with thought locations for one’s
psyche. A pair of golf news spectators
gasp in mild shock as Nick applicates criticism over prejudiced journalists:
you know, their ageist comments about activity bearings and poor elders. I rather say that Nick wins occasional
Masters Tournaments than give dumb statements over humans and varying maturity;
after all the tickles by news writers, there’s various days and new ignition
senses with which golf enthusiasts must wake up or wake down to with pleasure,
concentration, great thoughts, and bending vigor. Faces in Jack’s crowds are involving if also
bright over grass and imperfect in small ways for group emotions; on this ’86 sunshine
ladle of life, crowds go nuts on momentary hours even when silence is keen
boredom, plus Nicky gets his balls on the Augusta land curves with determined
eyebrows and confidence that may be rebuilt up again and again. My English language is disordered from my
fractured schizophrenia; still, I watch golf games off and on and pay gradual
attention to golf’s intense walking athletes bounding to long distance holes, themselves
separated yet marching across reflecting dirt and attempting to live out the
morals of gold entertainment. Nicky
strikes a bald match with sensations and rolling ball vibrations, so it’s a
brisk accomplishment for this golden bear when tough activity scenes become
popular memes.
Friday, August 26, 2016
Movie Review, “Zulu”
Movie Review, “Zulu”
Tribal bodies are swimming through weeds over sharp-edged
mountains to battle at red coats with patterned shields and unmagical scepters,
ruining their mud hospital with languages of heat in tongues of flames against
ruined alcohol. One crazy soldier
relishes shaky sips from a smoked vial before living his then nightly daze of
the Zulu Tribe’s rapid marches however awkward and to the point the folks with
ash’d skin, the British fools, absorb their gravity by stomping hills and
working guns out formal piles of weapons.
Someone’s after royal badges and will leave them in hot dust, only to
help a tribe with ammo of the warring dead inside the great outdoors. So, what’s the brush at their ankles? The late 1800’s is an eclipse of races which
hurts the eyes of crude soldiers on this unfair couple of days; in particular
to “crude sagacity of dominance” by the British and the Zulu Tribe’s sundances
of warfare, the white and the black are in their own melting pots even if some
of their kins will become supper for the Earth to cherish their rotten
muscles. At this point, a fancy hat is
hardly a shield when its down shadow looms over places with wild toasters; if
one army gives a salute, the other army thinks its pretension. The British armies put so much harm on other armies
as well as themselves, and plenty of British residents today are more worried
about the names of things; in other words, names that mean nothing. It doesn’t matter if God’s name is Jesus;
people are dying here! Army movements
here are either lucrative or diminished soon, bodies flowing over golden weeds
of bloody waste, treading on a bright planet during momentary hours of peace
when even a wild cat with a fuzzy knob of a dangerous tail hurries against lazy
gunshots on divided paws. There’s
something rich about sunlight as it hits Mr. Caine’s temple, so I remark here
on the mysteries of shadows and try to define them: slight at moments, dark
against flames, becoming ingredients to humanity’s melting pots while turning
the spectrum of hate into something massive: the eclipse of a smile beyond a
fighter’s gasping approach, switching her or his face’s reflections of odor
into resounding thuds of psychological impediments. Everything has a smell, lots of colors,
becoming mediums for camera angles; at least, everything shown. When pleasure exists for a soldier, something
has to give. Consider this blue sky land
as the azure colors of the horizon change gradually with the soaking dips of
history; a commonplace historian might say that the Zulu Film is historically
accurate on a mild summer day, horrible coffee in hand, reading the newspaper
while being a blithering pedant of familiar objects. DVD’s permanent at all in small ways signify
little; reality changes, and millions of seeds die in the womb before anybody
is born. The Zulu Tribe resists goofy temptations
to launch as imbecile fools; war is a poor accolade since, quite simply, plenty
of sides are wrong, the right sides destroying humans like bugs as if deer look
at them too closely. What’s notable here
is that the British army and the Zulu army own materials that aren’t weapons,
so their patronizing arrogance lives on for some expert kinds of materialism;
what’s ironic here is that the actors have to act out pompous stubbornness by
being less self-disdainful and livelier in probable tunes of physics for
fictional, historical spirits. Of
course, it’s not that clothes mean nothing; it’s that wearable uniforms exist
on people’s figures in spite of most bodily actions. I know that golf channels advertise clothes;
businesses accidently imply that materials are behaviors, so indeed actors must
constantly struggle against the urge to run on happy dreamlands when reality is
screaming at their faces. History movies
of very many kinds have to serve as fictional obras which still get at the partial truths with special
information: a deniable plot, more questions, examples laminated in video
forms, requisite camera angles rather than perfect ones ever, inscribing technological
descriptions of conditioned monsters across the sands of time with
presentations that may make you queasy yet soothe my attention spans. Africa has its blinds of madness which are
constantly downplayed by the African tribes’ gay wits; I’ve watched so many cheap
documentaries about tribes in Africa, and “Zulu” has reasonable physics since
one of its creators for the movie for sure had the learned help of studying
tribal rumors about foul play and forced kinds of understanding for
armies. I actually consider an African
tribe as a kind of army. I’m the kind of
guy who listens to foreign languages even if I don’t naturally speak them
(sometimes I make up sounds); not only there’s those profits of visual learning
when I ignore my own desires sometimes, but nations of cultural types of charm
if occasionally failing to be inevitable dominance or imprisoning submission
gear themselves for troublemakers. In one
of the beginning legend slots of “Zulu,” a Zulu Warrior tugs at the clad dress
of a prestigious, temperamental woman prior to his inconvenient death by a
quick spear, chanting a showy song that is unwelcoming for the Zulu Tribe’s
reunion celebration. What if a leader is
like some butler for our privileges? I’m
most certainly not in that much glee for American Freedom when it’s defined by
world leaders through personal tastes and exotic reasons; let’s amplify “Zulu”’s
involving meanings or else dispute with ourselves how we live while others
suffer. There’s this unmelted exchange
by the British Army and the Zulu Army between freedom and compassion, shared
context of meaning possibly illusionous because of intense whispers between soldiers
and battle-cries among warriors. An
arbitrary motive that a historian can have is often needed in order to define
the truth with optional bias; however alas, some political thinkers are
horrible philosophers because they’re bad anthropologists constantly feeling
the need to pick sides without being so careful due to lack of
descriptions. Once I had a black preacher
at a ghetto church who told the doubtful crowd to drink the Bible; I’m still
drinking it, but humanity at large is still open and long for me to handle, and
“Zulu” is a tough poetry source of shattered alcohol and tattered sundances.
Labels:
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African tribe,
alcoholism,
crazy soldier,
diet,
fancy hat,
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Michael Caine,
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shell shock,
stomp your feet,
weeds,
Zulu,
Zulu movie
Thursday, August 25, 2016
Videogame Review, “Mario Kart 8”
Videogame Review, “Mario Kart 8”
Dr. Mario heads through downloading drivers into ice cream
traffic cones to visit a dinosaur at a gingerbread house, stopping by Undead
Motors for a king’s oil and sunshine parts to his midget racing car so he can
upload his 1-Up Fuel and see dandelion rainbows and kitchen ghosts. The Italian American also happens to visit a
princess in her kitty costume who nearly runs over birds and frogs, but Cheep
Cheep Beach is still an aqua blue crystal clear and he has so much trouble with
Rainbow Thwomps who crunch out all their teeth.
The doctor who is that plumber owns a nice glowing subcoaster because of
his funds from the canyon’s gingerbread crowd.
Two princesses work in a pastry shop and become responsible for the phenomenal
tunnel hall donuts, but Dr. Mario drives in “Don’t Know Jungle” against
thoughts for useless coins and hopes to Mario that Toad Harbor doesn’t have any
toads. Once upon major times, Mario
saved a castle’s hot air balloons from burning with Bowser’s Oil by kicking the
bucket. The wild woods is an environment
like lit candle houses have it since Princess Peach’s servants live in the same
houses as miners do live in, while Dr. Mario must drive where dolphins wear
goggles and protect their home from underwater electric eels. He happened to have driven through the Dragon
Driftway and get the taste of seeing ninja murals, and the twisted mansion has
a good shortcut to Waluigi’s Library which ghosts dine near without looking at
plumbers or carpenters and becoming gone materials. Mama Luigi knows a princess who owns an
electrodome where Toadstool Disco plays and boney flowers dance to the
beats. He’s Mario’s brother, and also a
mother. Of course, grave skull creatures
sail on a vain ship in Bone-Dry Dunes; Dr. Mario has been working with
environments of someone’s choices, and now Tone-Fry Maroons will swelter in a
bad music park after these mysterious sands reflect the halos of cloudy vines
in the heavens. Mario’s vehicle has a
fuzzy battery, too. He takes the sports
drink made from a burning monkey’s bananas and also makes a pitstop by Lemmy’s
Tire Service; Lemmy rips him off, so this plumber gets by the mushroom piston
and watches an actor on Mario Kart Television named Captain Falcon. The brave racer says on TV, “Show me your
moves!” Of course, a mute city is the
Tron of Zelda, and so Dr. Mario turns into metal sometimes and conducts a
machine with bars over bullets and trials, putting on a golden wheel towards Mario
Motors. He gets involved with a mannered
purchase for a dolphin at the Super Marine World Dive Shop; however, he nearly
gets fisted by a Lava Godzilla and enters himself for the fun flowers, stopping
by the tropical grocery for mushrooms that won’t quit and getting waved at by
so many dinosaurs and dancing natives with long noses. Did I tell you about Yoshi’s Egg Market? Well, there’s plenty of eggs on the
mountains, and Mario crashes with stars before getting struck by cute
lightning. Dr. Mario hates it with
gritting teeth when some goombas do the cha cha dance on one of his raceways; Captain
Toad’s toy store will put smiles on people who wear masks, and there’s a
coffeehouse that serves coconuts right by the subway. Shy guys have worked with metals and jewelry
since 1987 and have been meowing since Nintendo’s dawning era, and selected few
shy guys fly on galaxy air to places that advertise the doctor’s plumbing
gear. Where do these planes come
from? Why, the Boomerang Brothers
International Airlines! The airplane
facility is a sunshine airport that supports the Organization for Women’s
Racing. Sometime in the future, more
princesses will own dream gliders and get plenty of bananas, so Dr. Mario rides
on the Bowser Ship Rollercoaster and thinks about how he spent his time at a
park as a baby, even owned the park as a baby.
He ignores usual commercials about turtle shells since he’s also a
scientist who solves puzzles and gets rid of germs; he’s trying to defeat a
dictator in a race. King Koopa wants to
build rollercoasters down the drain and torture gold folks, but Mario won’t let
him hurt feelings. Mario talked to the
Big Bad Wolfe, who wears a Hawaiian shirt and looks out from the tanned coast
at night auroras and one wonderful lighthouse in comfortable daytime. The Big Bad Wolfe also has a mother who
dresses herself an apron in her Animal Crossing world; Dr. Mario leads the
other racers from Undead Motors, going sightseeing in a city that belongs to a
princess’s servant who happens to be a captain: Captain Toad. (He also works as Construction Worker
Toad.) A camera-alien’s sign raises a
battle-cry alarm when two or three guys drive backwards, but Dr. Mario dodges
sumo musical balloons and gets to the castle’s hot air balloons by mushroom
flight. Captain Toad’s Propeller Toad
Transport Buses offer great service even in the face of goodness. Dr. Mario smacked his face onto a snowy tree
by Wario’s dam last week, but now, his sunshine parts are working! King Koopa loses in the race and Dr. Mario
gets all kinds of trophies in the shapes of eggs, flowers, stars, diamonds;
yep. At last, he can be a plumber and a racer, but his carpenter job was awful:
he had to, 80’s then, use a mallet first on a fireball, then after then he
picked up a pipe to guard a gorilla whom he will later get banana energy drinks
from. (ColecoVision, eh?) Mama Luigi knew ghosts who didn’t eat much at
the twisted mansion’s fountain; besides, a doctor is conditioned for orders in
new ways as time flies. Dr. Mario had
such a marvelous kiss from Princess Peach by the castle during the 90’s; now
hot air balloons are free to roam with creatures wherever they slumber: ice
ice, dry dry, moo moo, cheep cheep, sweet sweet. As their old folks say, “Press A to start!”
Labels:
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grave skull,
ice cream cones,
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WaLuigi
Wednesday, August 24, 2016
Restaurant Review, McDonald’s 1215 Magnolia Ave Corona, CA 92879
Restaurant Review, McDonald’s
1215 Magnolia Ave Corona, CA
92879
The flower running mother over tile love gifting ketchup
napkins against the diet float’s ice somersaults, me her son cherishing cobalt
trays of golden waste because of Quarter wrinkles and Mac layers to cloudy
hills mostly golden, #118 the Quinta prior to return. Picture Magnolia! McDonald’s is so tender for change despite
gearing up for public belongings of land and fame, so particular that eggs are
nearly exactly shaped up to their folds of imagination while Ronald Clown finds
pool children. “Chicken Nuggets are
great!” McDonald’s has instruments for
cooking that go with the fryer tunes, grill pops, evening sandwiches, all made
for attractive pollution when checks and balances combine to intrigue employees
toward customer edification if not dining entertainment. It enchants a believer that a smile can have
an eclipse of flesh! Corona McDonald’s
is California Autumn by table color selection and drink fountain wood, although
newspapers for sharp red furniture (upside down lamps) don’t complement their spotty
reflections because of their proper ink.
Corona McDonald’s group of laborers may not sparkle with obvious
happiness to a blind hater, but a young cashier’s grin reminds me of charming
monsters on TV. I’m forcing the reader
to make educated guesses about my complicated memes because my childhood waned
with McDonald’s soft brown touches of arches, boxed nuggets, shoveled fries,
Olde Ronald Friend Crackers and eclipsing chocolate raindrops. McDonald’s food has lots of shapes for
personal nostalgia to which I give in about, and dad’s amigo from the venturous harbors still owns McDonald’s worn vintage
mug for pillow fluffing his bench.
Corona McDonald’s has tremendous shadows above tile love with furnished
wipes, indicating that Magnolia Crown through geometrical art related to
children meals and quirky prices. It’s
not that McDonald’s is expensive, but that there’s gradual relations of offers
which coincide with fingered measurements of wowy compromise: “I’m loving
it.” Believe McDonald’s for some reasons
you’d have for trusting Farmer McDonald; as I think about it, critics can be
deceptive. McDonald’s serves beef that’s
more meaty than Circle K’s multi-ingredient beef and has totally less high
fructose corn syrup. (Of course, I try
to pronounce all ingredient names and just make some sounds up: what’s the
alphabet for my cat’s tongue?)
McDonald’s varies their language trends of syntax and inter-textual
clichés for tray advertency, menu board hype, bus postings, and sliced Happy
Meal buckets; so over the years, McDonald’s kind of creates their own holidays
(not for fasting, although it’s fast) relating times like “Fish Filet Tuesday”
or what I call Afternoon Breakfast.
Plenty of fish will be fried: 70’s call.
I wonder why McDonald’s has not given me a Soft Serve McFlurry with
Peanut M&M’s or coffee drinks with cherries; but to contradict my spirit, I
use McDonald’s Sweet & Sour Sauce for pasta dishes along with Popeye’s
Honey Mustard: I almost think like another alien. McDonald’s charms me with sweet simplicity;
Corona McDonald’s rules an angled dining home.
The Big Mac is a tall mac of secrets.
"I pledge allegiance to the Mac of the United States of McDonald's!" |
Restaurant Review, IHOP 632 Sycamore Avenue Vista, CA 92083
Restaurant Review, IHOP
632 Sycamore Avenue Vista,
CA 92083
The grumpy concern of Server Joyce helps with her flip-flop
handling of my red velvet pan combo on a brisk blue day by this moon crescent
seat, so I trace Sycamore back to its blue avenue of passing greys when Island
Tabasco reigns over Heinz 57 in wetness like red puddles hanging beyond
reflecting yolk. 7-Eleven and IHOP serve
red velvet goods that aren’t crumby yet taste like divine redness topped with
blurry atmospheres to designate the bottom fragiles. Of IHOP’s wiry hashbrowns or thinner sausage
links, I try to imagine a giant breakfast of abnormal twin plates as one meal
puzzle over distinguished combinations until my tiny mouth sandwich rains with
old fashioned syrup and Neufchâtel Icing.
“Manners isn’t just going out to dinner!” I haven’t received all of IHOP’s oldest news
because the pancake company avoids their past mascots at many cardinal joints;
my pleasure of dining money is mysteriously unfounded on diving sunsets, so
IHOP in Ventura and IHOP in Vista. It’s
interesting that IHOP calls a pile of pancakes short when they’re bigger than
lots of things that bug me like tealights and trainer buttons; there’s a click
that gets me from the revolution of burns which only gets more complex with
Server Joyce’s shuffling physics: I get a cost on a price, then she deserves
honey mustard along floors of professional liberty. Let’s just try to dust away the sugar and
find sweet compromise, since seasonal pancakes can dress the freckley white
plates on their sides with American exotics and crispy sharing, not to
mindfully ignore tongue-watering rings with circled onion slices and my
personal homebound favorita: Chicken
Strips with the vanished dip, bumpy-fried with milder brown hues for their
slightly coarse textures and monster shrimp appearances. So I get a pan combo with links and yolk:
fast break! I’m always a guest one
(deniable generalization) for one Pepsi Diet without following obvious steps or
using commonplace threats: twisting potato slivers onto my hard meal carry
thing, relishing cakey eggs, completing a buttermilk survey for brief offers,
entering my munching sounds with transcending judgment for IHOP. Did I mention that pepper is sandy? My delicious exaggerations are memes of urban
absorption, thus I tickle cheese on a monster before IHOP rids the shining
carafes and I kiss their grill by absorbing a sandwich. These teeth drip with soft chews, so I hurt
ice cream over and over again. After
those rising morning eats resemble comfortable accidents if just remarkable
solutions also, where’s our vacation histories while IHOP’s coffee paintings
loom around their Vista’s edged construction joint? Maybe IHOP just needs among other prizes a
few more crackers and 4D Uniforms, admitting here my cranking opinion about
ketchup streams and cupped ranch.
Labels:
big breakfast,
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blurry atmosphere,
California,
diet,
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fragiles,
grumpy concern,
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Heinz 57,
IHOP,
modern news,
moon,
politics,
red velvet pancakes,
Server Joyce,
Vista
Monday, August 22, 2016
Song Review, “(I Can’t Get No) Satisfaction” by the Rolling Stones
Song Review, “(I Can’t Get No) Satisfaction” by the Rolling
Stones
It’s possible for us to feel that some people aren’t
people. I don’t know, is the Devil some
guy? Let’s try not to be bookish about
the Holy Scriptures and define “Satisfaction”: gritty, feely, sparky, tasty,
associations of courage, expanding a few minutes with surprises, a lost song
narrator from all the empty fashion conditioning his opinions about blank
shirts and dumb cigarettes. Someone from
the Rolling Stones discovers the professional procrastinations situated inside
communication societies; as my calculative prejudice informs me of better judgment,
I realize the painted band’s silly conundrums via monochrome concert stages are
unfamiliar territory, rattled up from insipid evil because of monkey
interferences thanks to ramming decorators (concert audience members). “American Pie” is an exaggerational piece like
“Satisfaction”: there’s this constant want of energy that humans have a tough
time swallowing, and so protestors, and so haters of haters. When I hear the Rolling Stones hate, I don’t
necessarily tell them to stop hating because there can be forgiveness due to
all the devastations. I wish the song
was longer so I can perhaps understand the caped group’s agony of victory. If a real buddy smokes the wrong drugs, that
person can either be offensive or pretty gay, and either characteristic can be
associated with fashion. (I’ve smoked
intelligently for exotic health.) The
worlds of music can revolve around life’s hints as well as life’s descriptions,
and the Rolling Stones’ stubborn excitement is amazing because listeners are
entering the curtained dimensions of the rad song narrator’s boredom; his
boredom isn’t vague, it’s pure rather if not tiresome. Sometimes I think emotions can be people, so
I think of “Satisfaction” as an unmoving beast, a sheer conundrum, stopping
little for excuses and adventuring through the planet’s lack of static shock or
electrified promotions. (Or so it seems…) Try to believe in the Rolling Stones! I can’t believe “Satisfaction” is less wet,
more dry, ringing through my Wii U like an angel on a plane, a song narrator in
tunes with a deserving lady while basically going berserk like a naïve go-getter! The song’s fresco melody is just the beginning! Of course, I have that vulgar tendency to
detract from hard slumbers for my approach over measurements of pleasure. Maybe the Rolling Stones aren’t rolling in “Satisfaction,”
but I sure get a kick out of their dark honesty especially, and freedom hurts
too. Accents cover their sounds with
reactionary hope, stipulating the outrageous band’s rhythms of defeat, calling
order a chance, the song narrator engineering a new kind of emotion between happy
and sad without its name. The whole song
is a rough invention of passing tunes, so I respect a despicable believer, and
I suspect happiness with glowing simplicity because, quite frankly, we may
never find the ghosts who eat fruitcake today.
Song Review, “Dreamland” by Gordon Lightfoot
Song Review, “Dreamland” by Gordon Lightfoot
An intriguing musician’s relationship exhaustion can lead to
that worldwide creator’s hung darkness when there’s so much struggle love in
the Canadian air and it’s practically impossible to pick the summertime
roses. As the assorted song would imply,
a wise feminine involver could’ve been quite a troublesome failure that it’d
lead up to her bossy mind of forced cautions or the exclusive men could’ve
pushed or pulled her into providing edifying flare if not crowd pleasure. Rolling
Stone Magazine’s demeaning review of Gordon Lightfoot’s gold album Endless Wire was a peevish collection of
false hints related to Mr. Tom Carson’s unreliable prejudice about dull
accountants, raunchy passion and romantic taste, music strength and Carson’s
bored interest, in addition to contradictory evidence and impoverished
theories: Lightfoot has performed like a foot-tapping knight within the West
publics’ intermixed levels of proper conviction however negative it can be and
is aggressively passionate and tasteful of couple drama enough to redefine vintage
favorites like “The Wreck of the Edmund Fitzgerald” for his re-rhythmic Gord’s Gold 2 and “Old Dan’s Records”
for his re-poetic All Live. Think of “Dreamland” as a surprise from no
man’s land that pumps oil into the figure and leaves us with redefining
numbers. What’s particular to this sweet
country selection among external and internal factors is that the song narrator’s
status of marriage is completely unknown and that there’s this grief on
something that’s either socialized infatuation or dead-on serious. I think the song narrator knows about the
foggy gist over her informal parties, whoever she may become. Most certainly their dolly clothes aren’t
obvious situations but materials for occurrences, so it’s painstakingly
difficult to foretell if these extreme lovers would act desperate or just
remain hungry and psychologically dirty.
There’s the commendable song narrator’s aggravating rhyme of the
paradoxical memes “choose” and “lose,” but he’s humorously charismatic about
sudden travesties and doesn’t want all the vain struggle and burning pain
associated with their wild dreamland. My
advice for the song listener is to not listen to this magnified creation using
a Wii U Videogame Console and one of Nintendo’s 3rd-party
headphones, partly because you might devastatingly lose Lightfoot’s stereo
echoes and get too deep an understanding of studio microphones. (In fact, Lightfoot’s reigning voice is an
enticing temple that flows well with a 50’’ High Definition Television.) To fairly discern here how remarkably serious
and fortunately long this song is, I should tell the studying reader (and
Lightfoot hopefully) that I casually shared its song lyrics with a Hispanic girlfriend
and then she broke up with me.
Concluding indeed, Lightfoot’s stagnations of horrified imagination here
coincide with the imaginary personages’ drama of rainbow number one: the
competition of romance emotions defeat and deceit, not to mention “you make me
do what you want me to do then you run the rules on me.” The usurping madam may resemble what a 19th-Century
Englishman would refer to as a celebrating hoyden. I greatly wonder by childhood memories what
kind of authority she’s showing off: comprehension of input, or mere
dominance. Gordon Lightfoot’s “Dreamland”
is made for hearts of gold and liver with onions; it’s wonderfully intrinsic,
on beat with off-beats in language rather than ordinary sounds, displaying
Lightfoot’s un-pretended affectation for trouble and stirring commotion.
Thursday, August 18, 2016
Gas Station Review, Tesoro U.S.A. Gasoline 785 S Tucker Rd Tehachapi, CA 93561
Gas Station Review, Tesoro U.S.A. Gasoline
785 S Tucker Rd Tehachapi, CA 93561
785 S Tucker Rd Tehachapi, CA 93561
Vigorous payments for integral snacks with conditions of my
authority will help with these descriptions over gifts until money gets its
hash: 1 Pepsi Rockstar, 1 Pepsi Rockstar.
Try to ponder of our site’s layers of references to the whimsical tunes
of sales, or under ounces. “My cash is
seven, I’m in heaven!” My social
response to Tesoro is a heavy collection of moral codes related with witness
literacy or the rich understanding of supervisions, but periodic walking around
curvy aisles leaves us with my peripheral comments on Tesoro’s attuned cashier
roles, Cheetos Crunchy Xxtra Flamin’ Hot, Rockstar’s vitamin flavors with
medleys of freshness, comparing the workforce’s fortitude of gladness to the
jokeful emotions of an Italian liquor store’s crew I visited middle to south of
Italy. Referring to the Monster
Refrigerator around this shadowy station is akin to feeling azure heat: no
gloves, no rings, just touching dings while fingering chilly sips near
decorated fridges taller than golden hair.
A cashier’s muscles hang in the building’s weather of accommodations as
he or she applies happy returned opinions to me for bubbles yet to erupt after
thousands of responses, so I have an X-ray vision of labor when employees
imagine they’re cooking transactions about geared deals inside a square
construction place with shadowy blue darkness.
I’ve a rhino nose for Cheetos’ garlic powder over its enriched corn meal
and even see Rhino Propane before illustrating those rhythm methods for
tropical jazz, myself reading “Words From A Wanderer” by Alexandra Elle during
super events with Rockstars, Monsters, wakey metal, music absorption, energy
drinks, and nuts. The Xxtra Flamin’ Hot
Seasoning has salt that complements the yeast extract, flavors over colors,
sandy powder to buttermilk, Red 40 Lake, and the entire bag of Xxtra Hot
Flamin’ Cheetos contains more than 20% of my daily thiamin. A serving of cheetos is either seven lucky
numbers or three of them, so because my hunger is quite an illusion to a
basketball cage pal of mine who’s a romantic undertaker I get dandy chips that
are twice as hot for the literature of dates.
(I don’t know if my girlfriend was brandy or just a sable.) Customers may find it difficult to know if
Tesoro U.S.A. is a place or some action; however, consider the portioned
refreshments along with my diversions of sizes, me generally overliving with a
stomach for gifts beyond purity and into exotic health if not only U.S.A.
Tesoro’s caffeine selections: teas, coffees, sodas, all cold. Since a word can be worth thousands of
pictures, I like writing with colors of mystery. Tesoro is a tarsal bone around the upper
ranged middle of the Albertson’s Plaza, designating as a tiny gasoline house
with a moderate roof near divided pumplines and a straight metal poster of
Coca-Cola’s 99¢. It’s not a restaurant,
but you’ll find some irregular shapes such as Starbucks’ carmel glass or
Mountain Dew’s snake can, and the first drive you’ll be on for Tesoro may be
the last one in your life. Tesoro USA
isn’t an accident, a motive, the productivity of charm, problems, situations,
but a gas station with concerned laborers in smirks with remarkable
results.
Thursday, August 11, 2016
Sandwich Shop Review, Capriotti’s Sandwich Shop (Edgewater Casino) 2020 S Casino Drive Laughlin, NV 89029
Sandwich Shop Review, Capriotti’s Sandwich Shop
(Edgewater Casino) 2020 S Casino Drive Laughlin, NV 89029
It’s good to be rebasing the limits around sparky
habitations for Pepsi’s carbonated hydratants and the stand’s Russian Dressing,
thus the casino’s fancy carpet I tread over by robotic eagle cries if not mere
gambling noise is the fluffy stepping stones toward Nevada’s freedom of compromise
along with bubbly ordertakers laboring near dark counters for this slowly
roasted purpose that’s quite refined but still in my bleached face. Scratch that, my blush is tanned and rosy;
think of the host as joy and me as ale, take a sharp picture of that sandwich
elongating nine inches together with something Swiss and another thing Russian
called the Capastrami that’s built with pastrami, coleslaw, and one dairy
source. The loyalty of felicit eyes
between us leads to our gratitude of strangers being us, myself a rolling
tourist with studies over green sleeves and herself cashing debit to let it
coincide with smiling complexions of awareness.
Let’s just say also my hotel room isn’t written up to a maid’s dream of
a gratuitous tip since firm names really disappear beyond the infinity of
random visits while I explore these elevator halls to go with gift tickets,
flag hats, twinkling keychains, electrified cans and expensive carbonations,
slivers of cuts too, as mi hermano discovers
his gord of aquatic ripples and an employee with quick laughter serves me a
contained package of slippery bites with odd layers of wrapping which
complement my saucy ration’s meat sweetness and white hues of their drippy apparence. Capriotti’s Capastrami may not be lifted to
me on a silver platter although its richness in wet texture reveals the pain I
go through from In-N-Out’s lunch, so I relish the Russian Dressing and
Capriotti’s stuffings on a tight stomach while nibbling under cooked flavors in
order for lofty sandwich appreciation and blue cola thirst to wash me into my
bets about hen and hay, living above sacrificed opportunities holding my mathematical
focus over the top and reeling in my passion a shredded sammich to cute
fantasies. Cap’s Specials? Rules are divided associations until workers
grow up! I’m sure a customer doesn’t
inform others that Edgewater’s home in Laughlin is some familiar sport or lots
of riviera areas practically because of Edgewater’s beach pretensities, but
what’s better than a super artificial shore where jet-skiers ride and I
procrastinate in a bingo necklace around hard chairs and unyielding tables for
the Capastrami’s touched fixings of meated ingredients and coleslaw gloss? There’s a shape we have money for! (My brother) Nathaniel’s favoritism of
sandwiches is extremely fixed for him to venture through very much of a kitchen’s
innovations, so I pay attention over him when sampling little restaurant goods
like Capriotti’s sandwich that’s a bit succulent without obvious grease. I recommend bringing many snacks from the
Laughlin 76 for a more attuned dining at Capriotti’s Sandwich Shop after
chipping batches of refined quarters into Wheel of Fortune Machines or pushing
lotto buttons to send alien cows to Moorovia, not to mention Pepsi Rockstars
and the Cheeto Cry. My, my, my! I hope my enjoyment is credential! I have an accident in a place after eight
thousand rooms before illustrating a packaged deal for my taste buds all
without the ribbons, but at least Capriotti’s national reputation is expressed
in stringed menus today.
Labels:
Capriotti's,
diet,
diet confessions,
going over the limit,
health,
Las Vegas,
Laughlin,
milk and dairy,
Nevada freedom,
Pepsi,
Russian Dressing,
sandwiches,
sparky,
success,
Thanksgiving Dinner
Saturday, August 6, 2016
Food Store Review, Fastrip 1200 Coffee Rd Bakersfield, CA 93308
http://www.pepsicaliforniaprintshop.com/products/fastrip-shelf-strip |
Food Store Review, Fastrip
1200 Coffee Rd Bakersfield,
CA 93308
Life can remain terminable to a clothed eye for twisted sips as well as dusty bites in a go to minoring the velocity until this rad detainment, hunger movements with storing that electrifying niacin inside my urban tummy because airy tabs wall over foods without normal descriptions except maybe in special labels about proper name grammar. I have the primal drive for cash by the peeper’s dozen, Fastrip carrying into thousands of buys per yesteryear while cashing quantities for divine amounts, a long Coffee Road against school magnitudes if never much rainy or actually one rainbow of plazas, so I’m totaling Voss Lemongrass Tangerine along the store’s powdery grime of their people’s natural flows of quick rusticity with Hershey’s geometric desserts and metal caffeine like some flavored banana split, but reminding myself whether the engrossed man cashier would go between temperamental love and a carefree production of releasing manufactured rations for a cute sap like me. (I had a haircut.) A premature customer on Yelp may endow businesses with grades only to his or her feedback more typical jokes with cliché attributes, but Fastrip has given coffee lovers our liberty of burning tosses through clinging to Bakersfield’s coarse pool of biological sand and shelving erratic wrappers foodstuffs around fuel stations housed with poppable snacks to these yummy sifon Pepsi’s. Voss related European water, dazzling energy carbonation, colas toward precious data, I’ve the hidden wisdom of sweetness at top gear for nonfat dry milk or riboflavin statistics in order to live the relaxed consumption in a Kia Soul to laze about goodness near the red lobster joint and try to imagine dad’s purity of evolution, so I’m my own customer’s ready birth peace to peace while cherishing Fastrip’s city rarity of gifts that’ll ride, beckon, clown, hold, push, pull, and slip. Fastrip visits are modernly commodities of shadows which after entertainment and return to spirits I tan once in a blue moon during epic seconds for constructional eating over painted traffic just to crunch numbers in sacrificed languages under rectified assumptions for Fastrip’s candy clues on public demand that’s quite private too. Of course, preparations aren’t simply natural for a convenient store’s workforce in the absence of dumb efforts throughout their history, plus it’d be verified if reviewers didn’t act on false questions or assume those environments to must be clean and ridiculously polite like fashion shows. The cashier who helped me wasn’t stern in current felicity although he didn’t understand my silly requests and permitted me to down prices that were lower than stated on worn product stickers. There’s continuous velocity of shopping and laboring at the #705, with little in the way of pretentious hats and shirts but extreme through his lasers to my snacks while there’s subtle phantasms for human errors by yellow boards.
Labels:
Bakersfield,
coffee road,
diet,
dusty,
electrifying,
Fastrip,
food store,
gasoline,
haircut,
health,
naked eye,
niacin,
plazas,
rad,
sip,
terminable,
urban,
velocity
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