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Sunday, July 22, 2018

Videogame Review, Cashman Casino: “Sacred Scarab” for Google Play

Videogame Review, Cashman Casino: “Sacred Scarab” for Google Play


Naturally speaking, reference to the ancients can make our thoughts suspicious.  Generations come and go along the spades within these borders of conduct for which I remember my unknown ancestors, asking myself, “If I go back in time in a time machine and speak to one of my ancestors, how do I talk to what I no longer am?”  Decay and prosperity are the conflicting ideas of the ancient Egyptian afterlife.  It’s as if a melting pot has reached us from the heavens in 7’s and 6’s just by any reference to chaos among the older truths, stories and images existing in ancient Egypt when philosophy and poetry were confused as one: eternal life, divine favors, and complicated matters for spirits between voids and gates.  So, from this angle, I kind of get the picture “Sacred Scarab” intends.  But I’m looking for fruitcake and wild honey in a videogame about ancient Egypt as opposed to impersonal, cardinal numbers.  That’s because I read ancient texts and really feel for the spirits who went before us- drifting, plunging, roaming, expelled, renowned, and persistence of humanity’s tidings on their lost confirmations, burned papyrus, and the extremes of light and darkness in visionary, alluring myths.  While the bonuses and combinations of the gambling in “Sacred Scarab” are reasonable, I feel like I’m pulling cards from a nameless deck.  “Yu-Gi-Oh!” follows the old Egyptian mythology better than “Sacred Scarab” due to excellence in illustration which marks lost territories in their color of glory from mortality towards everlasting dust, the shifting sands of time across the universe where a pyramid can compete with a black hole’s demands over infinity.  Why is my time with “Sacred Scarab” not actually slower?  It’s not like I’m melting into wisdom upon the breaking horses, the shifting sands of time, the heavy feeling of presence against ancient Egypt’s pending taboos on conduct under the stars in punishing space.  Theology has most certainly not taken this gambling program by storm.  Even atheists might expect better graphics.  For one thing, the million-dollar bonuses should not be given an impersonal label on their working, chinging exchange of idolatry in terms of responsive ignorance, but of demanding beauty along the lines of eternal conflict for pharaohs.  Sounds in the game don’t question doubts as combinations don’t ring in immortal justice to death.  Everything in this program for Cashman Casino feels like an explorer’s pretended belief for her retribution before relics and disputed figures.  This game needs more Egypt in it.  

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