Album Review, “Sincerely” by the Forester Sisters

Album Review, “Sincerely” by the Forester Sisters

It’s a collection of platitudes.  Here we’re given an assortment of ideas which have to do with neighborhoods with gates and fences for those who pardon people for their love.  A problem about this is full-proof on our trust for each other when we come across other singers, like what’s grace to our disguise, even while hints are provided by the band of lovers (Forester Sisters).  Hints need to be built up, however, for the power.  The album doesn’t do much favors with its power of expression because it’s really more like sensation rather than power, a group of elemental thoughts that hide more on truths rather than give more to thought and wisdom as mystery should be taken them for a better destiny in privilege.  Music in this album can be described as “silvery”.  By that, I mean it’s consistent on secondary levels of thought.  Artists can feel the need to stick to basics out of some kind of devotion to feelings where the cornerstones of thought are excused for the best in light of popular verifications.  It’s true; neighbors ought to be respected, as we’re also neighbors of what we’re not neighbors of.  Country songs naturally make little sense since feeling and devotion often go hand in hand with the reality before our feet against human efforts, but can’t we linger quite so?  Dumb stuff happens until we recognize it to our advantage through reckless behaviors that don’t match power on the feelings.  The Forester Sisters make an album of this magnitude after being provoked to sing through the likes of lovers who leave it to power without the feeling; in fact, what about powerful songs like “Queen of Hearts” or something by Dolly Parton?  There’s so much attempt at pleasing in “Sincerely” that my head has become full of the emptiness inside my heart for what’s sanity under this gaze I’m in.  Enough knowing is heard, yet enough understanding is to be eventually dull.  We can’t forget what repetitions are out there in society today.  Or, societies, for that matter.  The music is light and easy, too pleasing to the ear, and I’m left with the band’s imitations over original thinkers from some ancient limits of reasoning combined with English language performances.  Maybe all this in “Sincerely” is appropriate for fans with only a good share of elementary principles behind their devotion; as for me, I’m looking for more than silvery music when I’m trying to improve my wisdom for light chances that can be expressed in special ways towards the wind of chance.