Song Review, “Got My Mind Set on You” by George Harrison

Song Review, “Got My Mind Set on You” by George Harrison

This guy was #1.  No, I mean the song, the song.  It was a huge hit in its day and still defines a good deal of his work in relation to strong beats, exclamations, and blowing his horn.  Wait, it’s a saxophone?!  Well I’ve been meaning to tell you this but I’ve had my hands full… on the keyboard.  My criticism is laid down for the sake of the artist’s work and not so much from what I’d prefer otherwise.  However, I can see very clearly that “Got My Mind Set on You” is a work from the 80’s with that familiar touch of saxophone (or at least I think it’s a saxophone), repetitive loops, and its strong whirl of information heading towards us.  The album it’s coming from is great although the other songs relate to each other more than to the song in question.  As such, there can be some imbalance in Cloud Nine.  Particulars to note are visual effects assumed from the cover as its label traces back to the songs in rhyme and reason for George Harrison’s love or what’s considered by me to be the romantic appeal for giving young people advice on vision and dramatic settings.  2 music videos are on YouTube right now for this song and continue to overlap with Cloud Nine in terms of ease and comfort towards the audience by George’s hand.  Dreaming enough between the songs and through vibes adds plenty of color to our lives as nature is redressed in our showmanship for creations either undermined, overrated, or hesitatingly neutral.  A lot of beats go up to speed on things for “Got My Mind Set on You” and the repetitive loops of chorus present us with nostalgia into the Beatles’ fare.  Visionary art is developed by strings and other forms of instrumentation geared for George’s ringing words within means of enthusiasm, and, from the likelihood of elements crossing themselves over and over in sheer magnitude for resounding, psychological effects, there’s a dream waiting in each musical note; every note has its dream, a special kind of dream, leading us towards the magnitude imagined by song into George’s attempt at imitation of the song’s original creator except for twisting music up 80’s style and with the saxophone component in play.  Does this song resemble much like Elton John’s “Club at the End of the Street”?  It’s likely; Elton John had been involved in George’s life at moments.  But the song as it is has taken the meaning of rock n’ roll to other levels unheard of and, if we’re really gearing up for ourselves, rock will tune us in where the 80’s and other tenth year generations are revolving by our magic, touch, and elegance of fandom where the boot fits or the snake bites.  Here the snake doesn’t bite.