Movie Review, “Aladdin” (Disney Version)
It’s one of those stories given by Disney who can’t keep still for one moment. So many events pass in this “classic” with tricks, twists, and turns particular to our modern society’s gross humor for spiritual myths. A constant exchange of puns in the film reminds me of Disney’s mode of imagination related to exaggerations given to chance, like a boiling pot with more bubbles than water. Vision is built up in 90’s nostalgia from goofing around on Disney’s part. The genie looks more like jelly than a firm spirit from the deep, and as such, I can’t really take him seriously. Is a really powerful being that careless after rising from his lamp again? His fantastic spells appear to be a waste because he doesn’t exactly respect his own talents. On every second we’re with Aladdin and his pals, the genie just shows lust against his own powers and ultimate favors from space, chance to chance on a given note, music that’s only entertaining once we’ve agreed with him on how useless he treats himself to be. We’re often laughing AT him. Magic seems beautiful from the standpoint of fireworks and creature transformations in the sense of vanity as opposed to purpose; in fact, the creature transformations feel like puffs rather than vein-pumping action. Jafar’s lamp looks cheap, dull, and poor. A lot of the animation actually builds up to the same quality. Motion in film has to appeal the senses enough for us to cherish our moments of joy into understanding and that’s not what I’m seeing from fans of “Aladdin”. My review has no shouts in it, but the movie certainly does. Noise and confusion are guaranteed for children who are unaware of modern society’s vanities in fashion parents enjoy while the moments transform families into silly, pretending individuals. I’m speaking as to what purpose, if any, Disney brings themselves to with “Aladdin” and I believe it’s chance due to colors instead of our reflection for them. The genie never seems like a folkloric character. Dumb jokes are presented on the screen even if we’re not about to step over them in forgetting about Jafar’s tragedy in becoming a prisoner to his own faults, his own wishes. That final scene comes up in the movie and by then we don’t really “feel” the magic. “Aladdin” is a movie we want to like but can’t. Tales and stories given generation after generation ought to be given the rural, firm behaviors we expect from the ancients as opposed to frivolous, light-hearted carelessness. Here, as a movie company, Disney just can’t keep still while attempting to give the modern audience a chance into perceiving the art and majesty in the olden times as evidenced in purpose as relevant in humor; however, I’m not seeing either vital as suggested, indicated, and argued over in review style. A movie like this doesn’t need a whole lot of explanation for people who don’t care about genies or spirits from the deep. The genie here is pretty much a jerk on his own rhyme and reason: give him one wish (after he interrupts you a gazillion times) and he’ll explode with fireworks, and as such, there’s no sense of tale-giving inventiveness. Everything just feels goofy, moronic, and senseless.
https://youtu.be/8HrmBXgiwDU
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