Album Review, Baroque Treasuries- “Bach: Brandenburg Concertos 1-4”

Elias Gottlob Haussmann [Public domain], via Wikimedia Commons

Album Review, Baroque Treasuries- “Bach: Brandenburg Concertos 1-4”

Each concerto brings out part of the mass intended for consumption through a good listen.  We’ve got allegros inside or outside the parentheses.  Maybe a symbol, a note, a piece of paper can bring the classical music for its approach on pleasing German ears.  But of course I’m sure other nationalities have ears.  What people develop on their aid of hearing depends on climate, atmosphere, and original societies.  A society can be revealing over the music for which strength and emotions bring the notes into existence after being paired to instruments by sheer force and that’s not a story to excuse for bigotry since energy and stamina really become those elements behind performance.  I still think that Bach would’ve been engraved into the forced circumstances in which he came up with beauty that linked a hearty feeling with exhibition, as likened on cue to motion with healing hands of time and space recognized for privilege under stars which needed our astrologic exaggerations for a song to be at hand.  Bach doesn’t name his concertos here while in gear for space and yet his ears must be dripping with the silence of pauses where our aftertaste of music lets us hear eternity in a vacuum.  There’s different forms of instrumentation based on the number of musicians in addition to instrument types.  The bookish fans of Bach might receive my notions with suspicious minds because so many ideas can leak into our heads before the minds are straight, but we’re allowed to please others when the moments count.  A CD of this nature belongs to my family.  Is my story of our experience useless, demonized?  Readers shouldn’t assume a sort of grudge that leads to blindness unless there’s unfair evidence.  Take a look at Bach on Wikipedia!  Doesn’t a painter give his countenance plenty of reflection seen in the paint so that we may assume there’s a story under heaven?  And consider the “review” packaged with the CD.  A lecture on notes should be a story.  But of course I’m speaking from the mind of a very still, relaxed person.  I’m sure Bach is another individual to consider for cultural recognitions even if some stories have to be told for us to absolutely get into music; otherwise, lovers might as well never live to sing on what’s a note for recognition as singing can only be given in a history of acquaintance with masters who understand society’s classes due to tales provided for, not merely provided.